LIVE REVIEW + PHOTOS: MOTHER MOTHER AT THE O2 ACADEMY BRIXTON, LONDON 16/07/25
Canadian outfit Mother Mother’s one-off UK show at London’s O2 Academy Brixton wasn’t just a concert - it was a big, quirky, sparkly therapy session wrapped in alt-pop anthems. Supporting their latest album Nostalgia, the night served as both a celebration of the band’s evolution and a reminder of their enduring connection with a dedicated UK fanbase, bringing a show full of punch and personality.
BRYAN ADAMS RELEASES NEW SONG
Canadian singer-songwriter Bryan Adams has released his brand-new single ‘A Little More Understanding’, the latest song from his forthcoming album Roll With The Punches out 29 August.
DEAF HAVANA UNVEIL NEW SINGLE
English alternative rock band Deaf Havana have released a brand new song titled ‘Car Crash’, taken from their upcoming album We’re Never Getting Out out 3 October via So Recordings.
AFTER THE BURIAL RELEASE NEW SINGLE
American progressive metal heavyweights After The Burial are back with their first new single in over two years, ‘Hum From The Hollow.’ The intense new track delves deep into emotional darkness and reaffirms why the band continues to be a vital force in modern heavy music.
WINONA FIGHTER ANNOUNCE DELUXE EDITION OF ALBUM AND SHARE NEW SINGLE
Rising punk trio Winona Fighter have announced a deluxe edition of their debut album My Apologies To The Chef, set for digital release on 5 September 2025, via Rise Records.
LIVE REVIEW: OLIVIA RODRIGO AT I-DAYS FESTIVAL, MILAN 15/07/25
Olivia Rodrigo is a rockstar.
At only 22 years old, Rodrigo is one of the major selling artists of our generation, having gained stardom whilst she was still in high school with her debut single and massive worldwide hit ‘Drivers License’. But she dominates the stage, casually belting and jumping around and switching from pop rock anthems to emotional ballads as if she were born for this - which, in fairness, she probably was.
3TEETH RELEASE NEW COVER
American quartet 3TEETH are back with a new cover of Guns N’Roses’ 1991 hit ‘Civil War’. This rendition of ‘Civil War’ is the latest in a string of unexpected covers from the L.A.-based band, who have previously reimagined tracks like Foster the People’s ‘Pumped Up Kicks,’ Sweet’s ‘Ballroom Blitz,’ Dead or Alive’s ‘You Spin Me Round (Like A Record),’ and Tears For Fears’ ‘Everybody Wants To Rule the World.’ The latter track featured on 3TEETH’s most recent album, EndEx, released through Century Media Records.
SHINEDOWN DROP NEW SINGLE
Multi-platinum, record-breaking rock band Shinedown has returned with their powerful new single ‘Killing Fields,’ out now via Atlantic Records. ‘Killing Fields’ marks Shinedown’s third release of 2025, following the dual drop of their hit singles ‘Three Six Five’ and ‘Dance, Kid, Dance.’
LIVE REVIEW: 2000 TREES FESTIVAL 2025
Hands up if you've heard this one: “Oh you've never been to Trees? Man you have to go, it's the best festival ever!”
2000 Trees may have accidently become a pyramid scheme. The uninitiated come away from their first trees experience spouting the mantra to anyone that will listen, vowing to return every year- regardless of the weather, regardless of the line up, simply ready for the best few days of the year with a ton of likeminded people in a field.
WARGASM RELEASE NEW SINGLE
London-based duo WARGASM have just dropped their latest single, ‘Small World Syndrome’ - their second independent release since boldly announcing their freedom from “the industry machine.”
LORNA SHORE ANNOUNCE 2026 UK/EU HEADLINING TOUR
Fresh off a triumphant run of major festival appearances across Europe - including standout sets at Download, Hellfest, Rock am Ring, and Rock im Park - LORNA SHORE are set to make their powerful return with a UK and European headlining tour in early 2026.
ALBUM REVIEW: SLAUGHTER TO PREVAIL - GRIZZLY (18/07/25)
Russian deathcore giants Slaughter to Prevail return with Grizzly, their most ambitious and polished album to date. Set for release on July 18 via Sumerian Records, the album sees the band push their sound further into the mainstream without losing the heavy edge that made them a global phenomenon.