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Livesphere is an online music magazine led by a female collective united by the love of music, dedicated to bringing you the latest music news, reviews, live photos and insights, predominantly in London and the UK as well as throughout Europe. Whether you're a fan of rock, metal, alternative, pop, or indie, we’ve got you covered with in-depth features on artists, album releases, concert reviews, and industry trends. With engaging articles and content, and a passion for all things music related, Livesphere is your go-to destination for staying in tune with the music scene.

And don’t forget to check out the Live Events section to stay updated on what’s to come!

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CHLOE MORIONDO | O2 ACADEMY ISLINGTON, LONDON | 25 SEPTEMBER

NEW!

“You're like a little ocean waving hello to me” Chloe Moriondo quipped as the Islington academy swayed in sync to the sounds of her new album ‘Oyster’. On this, the last stop of her 10-date romp across Europe we are treated to an atmospheric experience at times, dance party at others.

“I love this show so much it's gonna make me so sad to say goodbye to it,” Chloe Moriondo mused. London is the last stop on her tour of the UK and Europe and the lamenting of it coming to an end was seemingly shared by the crowd that hung on every note, thrilled at each song that was announced.

Moriondo switched between flitting around the stage, mic in hand, jumping off the risers in her see-through Barbie-esque platform heels to rocking out behind the mic with her bass during ‘Bodybag’ and also picking up a guitar or two, one of which is called Kitty and is covered in stickers. This duality in her style is also reflected in her sound. Many of her formative tracks are based in dreamy indie vibes such as the first track she ever wrote - ‘Manta Ray’, with certain new offerings leaning harder into an electronic, bassy and funky style fuelled with attitude such as on her latest release ‘girls with gills’.

“I have a feeling this is gonna be one of my favourite nights.” she grinned. Whether this declaration is hyperbole or not, the gathered fans didn't care, and the sing-alongs were plentiful from start to finish.

PIERCE THE VEIL | OVO ARENA WEMBLEY, LONDON | 23 SEPTEMBER

NEW!

“Holy shit are we at Wembley?!” Even for San Diego's Pierce the Veil, the iconic London arena holds weight. With many of the dates on the US leg of the world tour selling out, Europe looks set to be just as crazy.

Pierce the Veil aren't here to sell you anything. They didn't come to push an album or promote a new single. They are here because they wanna hear you scream and at Wembley Arena that is exactly what 12,000 excitable fans did.

The ‘I Can't Hear You’ tour is a roundup of the very best of Pierce the Veil without the focus staying for too long on any album or era. Just last year the band were down the road at Ally Pally, crashing through a set heavy on the Jaws of Life tracks. Tonight is completely different. Journeying through the almost 20 years of the band's catalogue we get everything from the early days, to the modern incarnation to a heartwarming cover. Variety is after all, the spice of life.

The first three songs seemingly set an impossible level of energy to keep up through the entire show, ‘Death of an Executioner’, ‘Bulls in the Bronx' and ‘Pass the Nirvana' cause absolute chaos, the latter containing the lyric that lent itself to the tour's name, with charismatic frontman Vic Fuentes screaming over and over - “I CANT HEAR YOU.”

ALBUM & EPreviews

PRESIDENT - KING OF TERRORS | 26 SEPTEMBER

NEW!

What is it about PRESIDENT that has earned such a dedicated legion of followers right from the release of their first ever track? Certainly intrigue at their sudden and unexplained addition to the Download Festival 2025 billing, slow drip feed of teasers and choice to remain anonymous have kept interest high but as a series of tracks have slowly been revealed over the summer, intrigue has turned to immense fervour to hear more. 

With the upcoming release of their debut EP King Of Terrors, PRESIDENT prepare to delve deeper into metaphors, lore and theatrics.

On the surface the choice to remain anonymous could cynically be seen as simply stylistic- a modern marketing technique, with contemporaries such as Sleep Token also choosing the anonymity of masked performance. The truth of PRESIDENT’s desire to be unknown however is a lot more intentional. Along with Vice (Drums), Heist (Guitar) and Protest (Bass), founder and vocalist - simply known as President, acknowledges his hesitancy in previous projects to explore themes of existentialism and a visceral fear of death triggered by his journey out of faith, while reckoning with his own personal losses. The freedom that comes with anonymity has allowed him to tackle those more sensitive and personal subjects.

King Of Terrors, named after a biblical metaphor for death, is personified as a terrible monarch that exercises supremacy over humanity. The EP's six tracks branch off from this iconography, exploring the push and pull of fear and hope. A collection of songs that are at times menacing, painful, beautiful and angry with every stop in between.

KANADIA - THE FIRE THAT’S TEARING THROUGH OUR HOME | 26 SEPTEMBER

NEW!

Oxford’s alternative rock outfit Kanadia return with their third and most mature record to date, The Fire That’s Tearing Through Our Home, a 12-track exploration of fragility, resilience, and catharsis. Produced at Evolution Recording Studios in their hometown by Chris Barker (guitarist for Willie J. Healey) and mixed by Tom Leach (Lewis Capaldi, Pa Salieu, Spiritualized) at London’s Snap Studios, the album achieves both polish and rawness, perfectly framing the band’s growth.

This new era is further defined by the addition of Brazilian-born bassist Everton Barbato, whose energy and precision complete the lineup with Melissa Marshall (synth/keys), Tim Lucas (drums), and frontman James Bettis (vocals/guitar).

The album opens with ‘I’m Falling’, a brooding six-minute track that channels Radiohead’s moody minimalism before erupting into guitars and pulsing electronics recalling the likes of TV On The Radio and LCD Soundsystem. It’s a powerful start, tackling the weight of agoraphobia with a sound that feels both haunting and transcendent.

From there, Kanadia showcase their range. ‘The Ways’ leans into gritty shoegaze with echoes of The Stone Roses, while ‘I Can’t Feel The Sunlight’ lifts the mood with its War On Drugs-inspired drive, shimmering guitars, and uplifting energy.

Upcoming live events

THIS WEEK’S FAVOURITE TRACK

We can’t get enough of Twenty One Pilots’ new single ‘City Walls’, from their new album Breach, out now via Fueled by Ramen.

aboutus

We are an inclusive, independent, non-profit publication led by a female collective launched out of sheer passion for live music and all things music related.

Executive Editor and Photographer: Florelle Servageon

Contact: florelle@livesphere-magazine.com

Editor and Photographer: Eva Grant

Contact: eva@livesphere-magazine.com

Lead Writer & Photographer: Imogen Bird

Contact: imogen@livesphere-magazine.com

Writer (Platform ‘96): Vlad-Paul Ghilaș

Contact: platform96events@gmail.com

Contributors: Justyna Serafin (Photographer), Bia Vismara (Writer), Auré (Writer), Liv Kendall (Writer), Verity Eaden (Writer), Julie Moisson (Writer), Julia Jevzikova (Photographer), Charlie Wright (Photographer)

For any submissions please explore our CONTACT page.