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Livesphere is an online music magazine led by a female collective united by the love of music, dedicated to bringing you the latest music news, reviews, live photos and insights, predominantly in London and the UK as well as throughout Europe. Whether you're a fan of rock, metal, alternative, pop, or indie, we’ve got you covered with in-depth features on artists, album releases, concert reviews, and industry trends. With engaging articles and content, and a passion for all things music related, Livesphere is your go-to destination for staying in tune with the music scene.

And don’t forget to check out the Live Events section to stay updated on what’s to come!

LIVEreviews

MCFLY | DREAMLAND, MARGATE SUMMER SERIES | 1 AUGUST

NEW!

For many remembering their teenage years there will be a nostalgia attached to the feeling of the fair coming to town. The smell of burgers, the glittering of the lights on the rides, sticky fingers from candyfloss and the excited, bustling crowds. Dreamland in Margate facilitates a trip down memory lane with all of the above whilst hosting pivotal artists that were a big part of the soundtrack of those heady days for many. As a part of the Margate Summer Series line up, McFly brought their party vibes to the Kent coast.

“We've been a band for almost 22 years,” McFly's Tom Fletcher reminded the gathered fans. This long career can be seen in the generations visible at any McFly show. The kids that worshiped the pop-band back in the early 2000's grew up and now dance alongside their own children, everyone adorned in past tour t-shirts, waving heart shaped neon light sticks.

The set-list of a legacy band like McFly must be a challenge to curate. Still endeavouring to put out new music- the latest of which- 2023 album ‘Power to Play’, reached number 2 in the album charts, proving the energetic quartet still have the chops to write engaging pop that appeals throughout the ages.

At Dreamland the energy never dipped, partly due to that carefully selected back-catalogue, but also down to the almost unbelievable stamina the four demonstrate for putting on an engaging and gleeful show, start to finish. Even through sickness and injury the band's ethos is- the show must go on. Indeed, Fletcher almost didn't make it to Margate due to a nasty eye infection that bassist Dougie Poynter informed the fans actually led to Fletcher enduring injections in his eyeball to get on stage that night- ouch!

WET LEG | ELECTRIC BALLROOM, LONDON | 17 JULY

Wet Leg shot to stardom immediately with their cheeky early singles ‘Chaise Longue’ and ‘Wet Dream’, followed by a #1 self-titled debut album, seemingly endless touring, a support slot with Harry Styles and a string of awards, including recognition from the GRAMMYs and BRITs.

After a short break, Wet Leg returned, now as a fully-formed band, and eager to get back to work once again. Their sophomore record, Moisturiser, was crafted intentionally to break expectations and serves as a sonic departure. It’s punchier, angrier and heavier in every way. 

Before taking the record on the road, the band celebrated with two performances at London’s iconic Electric Ballroom (day and night), testing new material and throwing in fan favourites. We headed down to the Camden venue to catch all the action.

The evening kicked off dramatically with the lead single, ‘Catch These Fists’, as Rhian walked on stage, her fists held high, before the group charged into action. Despite being a smaller stage than they’re used to, particularly for a five-piece, they bounced around like it was an arena. It’s true, Wet Leg’s energy knows no bounds, and ‘Catch These Fists’ lives up to expectations in a live setting.

ALBUM reviews

CONAN GRAY - WISHBONE | 15 AUGUST

NEW!

Only a year after Found Heaven and a few months from the reissue of his debut, Kid Krow, Decomposed (5 Year Anniversary), Conan Gray releases his 4th studio album. Wishbone is an emotional punch in the gut, as the former Kid Crow takes us on a bittersweet journey of love and loss, recounting the painful final acts of a doomed relationship, in what is possibly his most mature record to date.

The title indicates a V shaped bone found in birds and dinosaurs that ancient civilisations used as magical objects to predict the future. In today’s culture, it is often still used to make wishes, but it has also come to symbolise hope for the future, good luck and new beginnings. It’s one of the only wishing rituals that requires two people. Every other wishing thing, like throwing a penny into a well or blowing a dandelion, is a solo experience. But with a Wishbone, it’s two people actively taking this moment to be like, “I might get my wish and you might get nothing, and let’s take a bet on each other and just agree to do this even though one of us is bound to lose.”

As always, Gray introduces us to the record in story form with ‘The Actor’, a track about hidden love and how difficult it can be to gauge the other person’s emotions when everything happens in secret. In the end, the relationship is over before it even begun, and the singer chastises his lover for choosing to hide away a part of themselves from everyone else. The bridge’s lyrics, “If you ever cared, well, I wouldn't know / Blame it on a bad manic episode”, not only emphasise this but also seems to reference one of his past hits, ‘Maniac’, which dealt with a similar concept.

THREE DAYS GRACE - ALIENATION | 22 AUGUST

NEW!

With their most recent release, Three Days Grace remind us why they’ve been hailed as one of the major rock bands of our generation for almost three decades. Alienation is a mix of nostalgic heavy rock sounds mixed with softer yet equally powerful moments of reflection, exploring themes of isolation, heartbreak and the anxiety that both cause as human experiences that divide and unite us all at the same time.

The first track, ‘Dominate’, also released as a single, aptly opens the record with the band laughing together as they welcome back original frontman Adam Gontier, who joins Matt Walst on vocals, with Barry Stock on guitars, Brad Walst on bass and Neil Sanderson on drums and keyboard, completing the formation. 

The energy of this opener sets the intention of the album clearly: “nothing more dangerous than a man with nothing to lose - I will dominate through the pain”, the phrasing of the last sentence possibly even a nod to one of their earliest and most beloved tracks, ‘Pain’ off their 2006 record One-X.

‘Apologies’ introduces more somber lyrics, as it starts exploring the subject of self reflection and dark mental spaces, describing how no help from any loved ones or typical numbing methods - “Caffeine, nicotine, amphetamines” - can ever truly help.

This same path of desperation and hopelessness continues in ‘Mayday’, the first single released off this record, and the first time fans got to hear the powerhouse of Gontier and Walst’s voice merging together. The chorus’ murky point of view - “it’s hard to keep fighting when you’re barely surviving” - is somewhat redeemed this time, as the two singers promise in the outro “we’re still alive, we’ll never say Mayday”

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aboutus

We are an inclusive, independent, non-profit publication led by a female collective launched out of sheer passion for live music and all things music related.

Founder, Executive Editor and Photographer: Florelle Servageon

Contact: florelle@livesphere-magazine.com

Editor and Photographer: Eva Grant

Contact: eva@livesphere-magazine.com

Lead Writer & Photographer: Imogen Bird

Contact: imogen@livesphere-magazine.com

Writer (Platform ‘96): Vlad-Paul Ghilaș

Contact: platform96events@gmail.com

Contributors: Justyna Serafin (Writer and Photographer), Bia Vismara (Writer), Auré (Writer), Liv Kendall (Writer), Verity Eaden (Writer), Julia Jevzikova (Photographer), Charlie Wright (Photographer)