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Livesphere is an online music magazine led by a female collective united by the love of music, dedicated to bringing you the latest music news, reviews, live photos and insights, predominantly in London and the UK as well as throughout Europe. Whether you're a fan of rock, metal, alternative, pop, or indie, we’ve got you covered with in-depth features on artists, album releases, concert reviews, and interviews. With engaging articles and content, and a passion for all things music related, Livesphere is your go-to destination for staying in tune with the music scene.

And don’t forget to check out the Live Events section to stay updated on what’s to come!

LIVEreviews

CASKETS | ELECTRIC BALLROOM, LONDON | 17 DECEMBER

NEW!

Whether the timing is intentional or not, with The Only Heaven You'll Know Caskets continue a bi yearly tradition of releasing a banger of a new album, providing fans with a consistent stream of music. The Leeds metalcore outfit have continued this output through challenges that included a forced name change, struggles with imposter syndrome and band member departures.

Bon Jovi's 'Livin' on a Prayer', the opening track for Caskets - the song's message apt for a band that singer Matt Flood has described as a 'last run' at making it in music. Whatever needed to click, clicked for the Leeds quartet and at the Electric Ballroom in London the penultimate show of the 'The Only Heaven You'll Know' tour attracted scores of fans, a testament to the hard graft and raw honestly Caskets put into the music they make.

Beginning, somewhat ironically with 'Closure', one of the first tracks released from the new album, Flood's soaring vocals were accompanied by guitarists Benji Wilson, Craig Robinson and drummer James Lazen by forming a tight and engaging show. Although this tour was primarily focused on the new music and new era of Caskets, old favourites weren't forgotten, with the band featuring many tracks from 2021's 'Lost Souls' and 2023's 'Reflections'. 'Hold Me Now' from the former, the first foray into Caskets back catalogue.

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THREE DAYS GRACE | O2 ACADEMY BRIXTON, LONDON | 13 DECEMBER

NEW!

The walk toward the O2 Academy Brixton on Saturday, December 13, 2025, felt like joining a riot. Honestly, walking up to the venue, I couldn't wrap my head around the fact that Three Days Grace was playing here. This is a band that usually owns massive arena stages and festivals like Download & Rock am Ring. Seeing them in a room this intimate felt like a glitch in the matrix - it was unexpected, way too small for their stature, and absolutely legendary because of it. Moreover, we witnessed a historic reunion; this November/December 2025 tour marks Adam Gontier’s first major appearance in the UK and Europe with the band in over a decade.


Chants for "Three Days Grace" were so loud before they even made it to the stage.

It’s wild to think this band started in a tiny 1500-person town in Ontario. They joked on stage about how you only had three options there: sports, music, or drugs. The guitarists mimicked each one, but I think we’re all glad they chose music. They’ve gone from that small town to building a legacy defined by a record-breaking string of No. 1 singles on Billboard’s Mainstream Rock Radio.

This November/December 2025 European and UK tour marks Adam Gontier’s first major outing in these regions with the band in over a decade. The current 5-piece "2X" lineup - Adam Gontier (vocals), Matt Walst (vocals), Barry Stock (lead guitar), Brad Walst (bass), and Neil Sanderson (drums/backing vocals/keys) is now ready to takeover, introducing us to the new era of Three Days Grace.

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ALBUM reviews

HARPY - VII | 28 NOVEMBER

After a huge past year and a half playing major festivals such as Download and 2000trees alongside a bunch of support slots, Harpy has ended 2025 by releasing her first bigger project, the VII EP. Inspired by the legacy of the Seven Deadly Sins, with each of the seven tracks soundtrack one of Harpy’s transgressions. Pride, greed, lust, envy, gluttony, wrath and sloth. It’s everything we know and love from previous releases, just heavier, darker and has a more industrial twist to it. 

You’re hit right from the start in the best way possible with opening track ‘Inferno.’ If I had to pick one Harpy track for her to be instantly recognised by, I'd want it to be this one. It perfectly merges dark rage with upbeat chaos. Throwing you straight into an alt-rock, industrial verse that explodes into a chorus that is the best example of how much of a powerhouse Harpy is vocally. ‘Inferno’ serves its purpose as an introduction track with its ability to combine what we can expect to hear from the remainder of the EP.  

Following this is a track you may recognise, especially if you have seen Harpy live this year. ‘Last Time’ is pretty much the definition of why you may see people holding up “Goth Metal Mommy” signs at her shows. This is the type of song that you need your best headphones for with the volume all the way up. Featuring a beautiful guitar solo that escalates the sensual tone to another level.  

‘Call Me Mommy’ is a standout moment in this project as although it has that iconic Harpy sound, it’s also the most electronic work we’ve been given, which pairs together perfectly and I'd love to hear more of it. All I can think about when this track is playing is how good it would sound live, especially in a club style venue.  

We’re not even halfway through the EP and we’ve experienced so many different styles being explored which has already made this an easy listen. ‘Dark Matter’ is a track that wouldn’t sound out of place on the latest Nova Twins album. It’s the slowest and shortest track on the record but one of the most powerful moments.

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SEVEN BLOOD - LIFE IS JUST A PHRASE | 21 NOVEMBER

NEW!

There is something genuinely impressive about Seven Blood’s debut album, Life Is Just a Phase. For a band that have only been together a couple of years, you might expect flashes of brilliance wrapped in the rough edges of a group still figuring out who they are. Instead, Seven Blood arrive with a record that feels fully formed: cohesive, confident, and bold in its willingness to stretch the edges of modern rock and metalcore.

It’s rare for a first full-length to arrive sounding this assured, this consistent, and this emotionally lived-in. But then again, this album came out of real turmoil, shared breakdowns, and the kind of life detours that leave lasting scars.

From the very start, SEVEN BLOOD make it clear they’re not here to play it safe. Inspired by Bring Me The Horizon, Architects, and Paramore, their sound sits somewhere between modern metal, emotional hardcore, and atmospheric alternative rock, blending thick basslines, strong guitar riffs, synths textures, and the powerhouse presence of vocalist Azaria Nasiri, who delivers both the softness and the storm in equal measure.

The opening track, ‘House ≠ Home,’ sets the emotional tone immediately. It’s heavy, melodic, and painfully honest. ‘Cold Eyes’ follows with a punch to the gut, building on the album’s themes of clarity and breaking free. Blunt and raw, it’s a perfect reminder of why this band has connected so quickly with fans, and arguably our favourite track of the album.

The following tracks ‘No Breakout’ and ‘Monsters’ show how effortlessly Seven Blood blend aggression with melody. The riffs are thick, the screams cut deep, and everything folds together perfectly. ‘Monsters,’ especially, captures that atmosphere the band seems to thrive in: dark, emotional, and strangely beautiful.


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musicnews

Upcoming live events

THIS WEEK’S FAVOURITE TRACK

We can’t get enough of Poppy’s new single ‘Guardian’ from her upcoming new album Empty Hands, 23 January via Sumerian Records.

aboutus

We are an inclusive, independent, non-profit publication led by a female collective launched out of sheer passion for live music and all things music related.

Executive Editor and Photographer: Florelle Servageon

Contact: florelle@livesphere-magazine.com

Editor and Photographer: Eva Grant

Contact: eva@livesphere-magazine.com

Lead Writer & Photographer: Imogen Bird

Contact: imogen@livesphere-magazine.com

Writer (Platform ‘96): Vlad-Paul Ghilaș

Contact: platform96events@gmail.com

Contributors: Justyna Serafin (Photographer), Bia Vismara (Writer), Isabella Jacklin (Writer), Auré (Writer), Liv Kendall (Writer), Verity Eaden (Writer), Julie Moisson (Writer), Julia Jevzikova (Photographer), Charlie Wright (Photographer)

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