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Livesphere is an online music magazine led by a female collective united by the love of music, dedicated to bringing you the latest music news, reviews, live photos and insights, predominantly in London and the UK as well as throughout Europe. Whether you're a fan of rock, metal, alternative, pop, or indie, we’ve got you covered with in-depth features on artists, album releases, concert reviews, and industry trends. With engaging articles and content, and a passion for all things music related, Livesphere is your go-to destination for staying in tune with the music scene.

And don’t forget to check out the Live Events section to stay updated on what’s to come!

LIVEreviews

PVRIS | ALBERT HALL, MANCHESTER | 08 JULY

NEW!

Tuesday night at Manchester’s majestic Albert Hall saw PVRIS return to the UK for a highly charged stop on their White Noise 10th‑anniversary tour. Frontwoman Lynn Gunn swept across the stage for a performance that would balance nostalgia with new‑era energy, in front of a sold-out crowd ready to be swept away by the band’s blend of atmospheric synths, grunge-soaked guitar, and anthemic choruses.

PVRIS - the project by vocalist and multi-instrumentalist Lynn Gunn - emerged from the shadows, opening the night with ‘Smoke’, the first track from their debut album White Noise, released over 10 years ago. The performance was elevated by slick production and vibrant lighting, accompanying a lineup featuring Brian Macdonald (bass), and Denny Agosto (drums). The venue itself, with its soaring arches, near-perfect acoustics, and era-specific antique stage décor suspended above - a chair, a frame and a light, each nodding to the White Noise aesthetic - provided the perfect backdrop.

The set was divided into two halves. The first half featured White Noise performed in full, track by track. Despite the nostalgia-heavy return to their 2014 debut, PVRIS underscored just how far they’ve come. The fast-paced ‘St. Patrick’, bathed in green light, and ‘My House’ kept the energy high, while the haunting ‘Holy’ and reflective ‘Mirrors’ slowed things down, amping up the ethereal atmosphere that had the crowd swaying in time.

JAPANESE BREAKFAST | O2 ACADEMY BRIXTON | 03 JULY

NEW!

After spending the past year in South Korea honing her Korean language skills and working on her second book, Michelle Zauner - better known as Japanese Breakfast - has returned with a brand new album, For Melancholy Brunettes (& sad women). Tonight, she brought her Melancholy Tour to the O2 Academy Brixton in London. Despite its somber name, the show’s atmosphere was anything but sad - Fans were visibly ecstatic, dancing nonstop for the full hour and twenty-minute set.

Michelle Zauner opened her set with the first three tracks from her latest album, For Melancholy Brunettes (& sad women) - ‘Here is Someone’, ‘Orlando in Love’ and ‘Honey Water’ - released earlier this year on 21 March. She stepped on stage wearing a large knitted bow, which she quickly lost in the excitement of the moment. The energy spiked during ‘Road Head’, a clear fan favourite, as the crowd erupted the moment the opening notes rang out.

Next came ‘Boyish’, a beloved track from Soft Sounds From Another Planet, originally performed by Zauner’s former band, Little Big League. It was a communal moment, with nearly everyone in the room singing along. After a few more songs, Zauner took a seat between her keyboardist and drummer to perform ‘Men in Bars’, a poignant track featuring Jeff Bridges - his parts tenderly sung by her drummer. She followed with ‘Glider’, a piece she wrote for the video game Sable, dedicating it to the game’s creators, who were in attendance that night.

ALBUMreviews

BORN OF OSIRIS - THROUGH SHADOWS | 11 JULY

With Through Shadows, released 11 July via Sumerian Records, Born of Osiris return with renewed purpose - delivering an album that merges their signature blend of progressive metalcore, djent, and synth-laden soundscapes into a tight, high-intensity package. Known for their technical prowess and compositions, the Illinois quartet strike a balance between melody and mechanical brutality on this latest effort.

The album kicks off with ‘Seppuku’, a thunderous opener packed with electro synth elements, rapid-fire drumming and deathcore-esque, guttural growls by vocalist Ronnie Cannizaro. The guitar solo near the end elevates the track even more, adding both intensity and depth. Right away, it’s clear that Born of Osiris haven’t abandoned their roots, but they’ve definitely sharpened them.

The second song ‘Elevate’ displays chugging, down-tuned riffs by guitarists Lee McKinney and Nick Rossi, more synths elements and a strong melody that is very catchy.

‘Through Shadows,’ the title track comes next, which can be described as a melodic and contemplative anthem that leaves behind headbanging chaos for something more ethereal. The chorus is instantly memorable, driven by standout clean vocals that leave a lasting impression. The guitar leads pierce through the mix like sharp blades, while Canizaro’s vocals unleash high intensity, effortlessly shifting between guttural screams and anthemic choruses - a defining element throughout the album.

SLAUGHTER TO PREVAIL - GRIZZLY | 18 JULY

NEW!

Russian deathcore giants Slaughter to Prevail return with Grizzly, their most ambitious and polished album to date. Set for release on July 18 via Sumerian Records, the album sees the band push their sound further into the mainstream without losing the heavy edge that made them a global phenomenon.

Grizzly opens with ‘Banditos’, an explosive opener that sets the tone with punishing riffs and frontman Alex Terrible’s signature guttural vocals.

The lead single ‘Russian Grizzly in America’ follows, a feral anthem that is bold and loud, with their signature deathcore brutality. The track arrives alongside a cinematic music video featuring UFC fighter Alexander Volkov, adding to the band’s aggressive image and theatrical presentation.

The third track ‘Imdead’ (featuring Falling In Reverse’s frontman Ronnie Radke) brings a dose of nu-metal flair whilst ramping up theatrics in true Falling In Reverse fashion - packed with punishing breakdowns, pounding drums and clean vocals from Radke, it is raw and unpredictable.

‘Viking’ stands out for its marching rhythm and war-like energy. The song feels made for the live stage, with thundering drums and a commanding vocal delivery. It's heavy, but easy to follow - and very effective. ‘Koschei’ follows the same recipe, it is a relentless crushing blend of guttural vocals, thick guitars, and headbanging breakdowns.

Produced with a clear intent to evolve, the 13-track album blends brutal breakdowns with moments of melody and groove.

musicnews

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THIS WEEK’S FAVOURITE TRACK

We can’t get enough of the new single from Three Days Grace’s upcoming album Alienation, set for release on 22 August via RCA Records.

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We are an inclusive, independent, non-profit publication led by a fully female collective launched out of sheer passion for live music and all things music related.

Founder, Executive Editor and Photographer: Florelle Servageon

Contact: florelle@livesphere-magazine.com

Editor and Photographer: Eva Grant

Contact: eva@livesphere-magazine.com

Lead Writer & Photographer: Imogen Bird

Contact: imogen@livesphere-magazine.com

Contributors: Justyna Serafin (Writer and Photographer), Bia Vismara (Writer), Auré (Writer), Liv Kendall (Writer), Verity Eaden (Writer), Julia Jevzikova (Photographer)