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Livesphere is an online music magazine led by a female collective united by the love of music, dedicated to bringing you the latest music news, reviews, live photos and insights, predominantly in London and the UK as well as throughout Europe. Whether you're a fan of rock, metal, alternative, pop, or indie, we’ve got you covered with in-depth features on artists, album releases, concert reviews, and interviews. With engaging articles and content, and a passion for all things music related, Livesphere is your go-to destination for staying in tune with the music scene.
And don’t forget to check out the Live Events section to stay updated on what’s to come!
LIVEreviews
DON BROCO | OVO ARENA WEMBLEY, LONDON | 5 DECEMBER
NEW!
Don Broco are back, and in more ways than one. It's been almost 7 years since they last graced the stage of Wembley Arena. It's also been two years since they announced during their ‘Birthday Party’ tour that they were off to write an album. At the time they admitted they tend to take a bloody age to do that and fans have been waiting patiently since. With only a couple of outings for the band in the interim, this run of shows is where Broco burst back onto a scene that has been missing them all too acutely.
In a haze of green neon, Don Broco stormed onto the stage and began a new era with 'Cellophane'. With the lyric, '‘I just pulled a sickie, woke up in the Matrix'‘, singer Rob Damiani plays the part well, sporting a black trenchcoat and Agent Smith sunglasses. In this track we are collectively transported back to 1999.
With the new album yet to fully drop, and the cycle in its early days, inspirations and motivations for this new iteration of Don Broco is yet undefined but the vibe is clear: futuristic leaning rock tracking heavier than it has ever been before.
Broco wasted no time also in launching into the massive tracks that have earned them a legion of fans. 'Come out to LA', is the first song that saw drummer Matt Donnelly taking the lead in vocal duties. The duality between Damiani and Donnelly's tones is only a small part of why this Bedford band has grown from the dive bars and club shows to prestigious venues like Wembley over the years. The band, certainly one of the most hardworking and determined in the scene.
KING PRINCESS | ELECTRIC BRIXTON, LONDON | 9 DECEMBER
NEW!
After playing in Leeds and Manchester, King Princess eventually finished the UK leg of her ‘Girl Violence’ tour in London, at the Electric Brixton. The queer fan girlies were in for a treat, being introduced for the first time to another queer singer opening for KP, Susannah Joff. Both American artists were here to deliver.
After her first sensational EP in 2018, King Princess released her third album, Girl Violence, last September. This album clearly shows a willingness to shift her sound from indie pop, soft and melancholic tones, to rock and rawness, whilst keeping the same emotional intent in her lyrics. Themes of relationships and break-ups remain prevalent, and growth resonates throughout every song.
King Princess then entered the stage for the rest of the night, performing no fewer than twenty songs to please her ecstatic fans. The room was packed, and the show was sold out; a few people took advantage of the first floor and stairs on both sides, offering excellent views of the stage.
The decor immersed the audience in an American sunset, with a billboard inspired by the latest album aesthetic: orange and reddish colors, a cherry representing a woman’s breast, and a pair of lips and eyes gazing deeply into the emotional void.
The setlist spanned the full musical career of the Brooklyn-based singer, starting with ‘Cherry’ and closing with ‘Ohio’. ‘1950’, the single that brought her to the public’s attention, was naturally performed, with everyone singing along.
ALBUM reviews
HARPY - VII | 28 NOVEMBER
After a huge past year and a half playing major festivals such as Download and 2000trees alongside a bunch of support slots, Harpy has ended 2025 by releasing her first bigger project, the VII EP. Inspired by the legacy of the Seven Deadly Sins, with each of the seven tracks soundtrack one of Harpy’s transgressions. Pride, greed, lust, envy, gluttony, wrath and sloth. It’s everything we know and love from previous releases, just heavier, darker and has a more industrial twist to it.
You’re hit right from the start in the best way possible with opening track ‘Inferno.’ If I had to pick one Harpy track for her to be instantly recognised by, I'd want it to be this one. It perfectly merges dark rage with upbeat chaos. Throwing you straight into an alt-rock, industrial verse that explodes into a chorus that is the best example of how much of a powerhouse Harpy is vocally. ‘Inferno’ serves its purpose as an introduction track with its ability to combine what we can expect to hear from the remainder of the EP.
Following this is a track you may recognise, especially if you have seen Harpy live this year. ‘Last Time’ is pretty much the definition of why you may see people holding up “Goth Metal Mommy” signs at her shows. This is the type of song that you need your best headphones for with the volume all the way up. Featuring a beautiful guitar solo that escalates the sensual tone to another level.
‘Call Me Mommy’ is a standout moment in this project as although it has that iconic Harpy sound, it’s also the most electronic work we’ve been given, which pairs together perfectly and I'd love to hear more of it. All I can think about when this track is playing is how good it would sound live, especially in a club style venue.
We’re not even halfway through the EP and we’ve experienced so many different styles being explored which has already made this an easy listen. ‘Dark Matter’ is a track that wouldn’t sound out of place on the latest Nova Twins album. It’s the slowest and shortest track on the record but one of the most powerful moments.
SEVEN BLOOD - LIFE IS JUST A PHRASE | 21 NOVEMBER
NEW!
There is something genuinely impressive about Seven Blood’s debut album, Life Is Just a Phase. For a band that have only been together a couple of years, you might expect flashes of brilliance wrapped in the rough edges of a group still figuring out who they are. Instead, Seven Blood arrive with a record that feels fully formed: cohesive, confident, and bold in its willingness to stretch the edges of modern rock and metalcore.
It’s rare for a first full-length to arrive sounding this assured, this consistent, and this emotionally lived-in. But then again, this album came out of real turmoil, shared breakdowns, and the kind of life detours that leave lasting scars.
From the very start, SEVEN BLOOD make it clear they’re not here to play it safe. Inspired by Bring Me The Horizon, Architects, and Paramore, their sound sits somewhere between modern metal, emotional hardcore, and atmospheric alternative rock, blending thick basslines, strong guitar riffs, synths textures, and the powerhouse presence of vocalist Azaria Nasiri, who delivers both the softness and the storm in equal measure.
The opening track, ‘House ≠ Home,’ sets the emotional tone immediately. It’s heavy, melodic, and painfully honest. ‘Cold Eyes’ follows with a punch to the gut, building on the album’s themes of clarity and breaking free. Blunt and raw, it’s a perfect reminder of why this band has connected so quickly with fans, and arguably our favourite track of the album.
The following tracks ‘No Breakout’ and ‘Monsters’ show how effortlessly Seven Blood blend aggression with melody. The riffs are thick, the screams cut deep, and everything folds together perfectly. ‘Monsters,’ especially, captures that atmosphere the band seems to thrive in: dark, emotional, and strangely beautiful.
musicnews
Upcoming live events
THIS WEEK’S FAVOURITE TRACK
We can’t get enough of Poppy’s new single ‘Guardian’ from her upcoming new album Empty Hands, 23 January via Sumerian Records.
aboutus
We are an inclusive, independent, non-profit publication led by a female collective launched out of sheer passion for live music and all things music related.
Executive Editor and Photographer: Florelle Servageon
Contact: florelle@livesphere-magazine.com
Editor and Photographer: Eva Grant
Contact: eva@livesphere-magazine.com
Lead Writer & Photographer: Imogen Bird
Contact: imogen@livesphere-magazine.com
Writer (Platform ‘96): Vlad-Paul Ghilaș
Contact: platform96events@gmail.com
Contributors: Justyna Serafin (Photographer), Bia Vismara (Writer), Isabella Jacklin (Writer), Auré (Writer), Liv Kendall (Writer), Verity Eaden (Writer), Julie Moisson (Writer), Julia Jevzikova (Photographer), Charlie Wright (Photographer)
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