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for all music lovers

Livesphere is an online music magazine led by a female collective united by the love of music, dedicated to bringing you the latest music news, reviews, live photos and insights, predominantly in London and the UK as well as throughout Europe. Whether you're a fan of rock, metal, alternative, pop, or indie, we’ve got you covered with in-depth features on artists, album releases, concert reviews, and industry trends. With engaging articles and content, and a passion for all things music related, Livesphere is your go-to destination for staying in tune with the music scene.

And don’t forget to check out the Live Events section to stay updated on what’s to come!

LIVEreviews

MCFLY | DREAMLAND, MARGATE SUMMER SERIES | 1 AUGUST

NEW!

For many remembering their teenage years there will be a nostalgia attached to the feeling of the fair coming to town. The smell of burgers, the glittering of the lights on the rides, sticky fingers from candyfloss and the excited, bustling crowds. Dreamland in Margate facilitates a trip down memory lane with all of the above whilst hosting pivotal artists that were a big part of the soundtrack of those heady days for many. As a part of the Margate Summer Series line up, McFly brought their party vibes to the Kent coast.

“We've been a band for almost 22 years,” McFly's Tom Fletcher reminded the gathered fans. This long career can be seen in the generations visible at any McFly show. The kids that worshiped the pop-band back in the early 2000's grew up and now dance alongside their own children, everyone adorned in past tour t-shirts, waving heart shaped neon light sticks.

The set-list of a legacy band like McFly must be a challenge to curate. Still endeavouring to put out new music- the latest of which- 2023 album ‘Power to Play’, reached number 2 in the album charts, proving the energetic quartet still have the chops to write engaging pop that appeals throughout the ages.

At Dreamland the energy never dipped, partly due to that carefully selected back-catalogue, but also down to the almost unbelievable stamina the four demonstrate for putting on an engaging and gleeful show, start to finish. Even through sickness and injury the band's ethos is- the show must go on. Indeed, Fletcher almost didn't make it to Margate due to a nasty eye infection that bassist Dougie Poynter informed the fans actually led to Fletcher enduring injections in his eyeball to get on stage that night- ouch!

WET LEG | ELECTRIC BALLROOM, LONDON | 17 JULY

Wet Leg shot to stardom immediately with their cheeky early singles ‘Chaise Longue’ and ‘Wet Dream’, followed by a #1 self-titled debut album, seemingly endless touring, a support slot with Harry Styles and a string of awards, including recognition from the GRAMMYs and BRITs.

After a short break, Wet Leg returned, now as a fully-formed band, and eager to get back to work once again. Their sophomore record, Moisturiser, was crafted intentionally to break expectations and serves as a sonic departure. It’s punchier, angrier and heavier in every way. 

Before taking the record on the road, the band celebrated with two performances at London’s iconic Electric Ballroom (day and night), testing new material and throwing in fan favourites. We headed down to the Camden venue to catch all the action.

The evening kicked off dramatically with the lead single, ‘Catch These Fists’, as Rhian walked on stage, her fists held high, before the group charged into action. Despite being a smaller stage than they’re used to, particularly for a five-piece, they bounced around like it was an arena. It’s true, Wet Leg’s energy knows no bounds, and ‘Catch These Fists’ lives up to expectations in a live setting.

ALBUM reviews

NOVA TWINS - PARASITES & BUTTERFLIES | 29 AUGUST

NEW!

Nova Twins - the London-based duo Amy Love (guitar/vocals) and Georgia South (bass/vocals) - released Parasites & Butterflies as their third studio album on 29 August 2025. Building on the success of Supernova (2022), this new record dives deeper into duality - leveraging contrasts between chaos and beauty, light and shade, and vulnerability and empowerment.

Having worked with renowned producer Rich Costey (known for Foo Fighters, Muse, and more), the duo infused the album with expansive, anthemic production, along with some daring pop-leaning experiments.

Earlier this year, the duo released three songs ('Monsters' - January 2025; 'Soprano' - Spring 2025; 'N.O.V.A' - July 2025) showcasing the album’s tension between chaos and beauty, and power and vulnerability. By dropping these three powerful and thematically rich singles, Nova Twins charted a clear path towards Parasites & Butterflies, deliberately revealing the dual nature of their identity and sound. 

Heavy and industrial, the raw vulnerability of 'Monsters' and its lyrics “I’m not afraid of monsters, but I’m afraid of myself” suggested a very relatable experience for the audience and announced the album to be more confessional than ever.

By contrast, 'Soprano' reasserted their boldness and playfulness. The single unveiled the butterfly palette: brightness, experimentation, and theatricality.
As for 'N.O.V.A', arriving just before the album release, the duo guaranteed a signature concert igniter, with its anthemic quality and empowerment vibe. It's raw, abrasive, and combative. The Rage Against the Machine-style riffing and chant-ready hooks are designed for  maximum live energy. The twins reintroduced the parasite side, balancing the emotional weight of 'Monsters' and the eccentric experimentation of 'Soprano'.

HELLOWEEN - GIANTS & MONSTERS | 29 AUGUST

NEW!

Released on 29 August 2025, Giants & Monsters is the seventeenth studio album from German power-metal legends Helloween, marking their second studio effort (following 2021’s self-titled release Helloween) with the reunited lineup - Andi Deris, Michael Kiske, and Kai Hansen among them. The album was produced by Charlie Bauerfeind and Dennis Ward, and mixed at the famed Wisseloord Studios (Iron Maiden, Judas Priest, Def Leppard, etc), delivering a polished yet powerful sound that balances clarity and punch.

The opener, ‘Giants on the Run’, is a classic Helloween blast of power-metal energy: galloping riffs, soaring melodies, and an anthemic chorus that immediately sets the pace for what’s to come. It’s a confident, high-energy introduction that signals the band is not looking backward, but rather reasserting their place in modern metal.

‘Savior of the World’ channels the spirit of the Keeper of the Seven Keys era with soaring chorus and speed-metal intensity. Michael Kiske’s voice soars just like it did in the late '80s. The whole track pulses with that old-school Helloween spirit, but without sounding like a throwback.

Then comes ‘A Little Is a Little Too Much’, which shifts gears into lighter, more playful territory. With its catchy riff and glam-infused swagger, the track flirts with hair-metal sounds, delivering one of the album’s most accessible and infectious moments.

‘We Can Be Gods’ showcases all three vocalists in full force, a true blend of the band’s eras. Kiske, Deris, and Hansen each bring their distinct styles, but it’s the way their voices intertwine - trading lines and stacking harmonies - that gives the song its power.

musicnews

Upcoming live events

THIS WEEK’S FAVOURITE TRACK

We can’t get enough of the new song ‘Fort Knox’ from Norwegian pop sensation Sigrid’s upcoming new album There’s Always More That I Could Say, set for release on 24 October via Island/EMI.

aboutus

We are an inclusive, independent, non-profit publication led by a female collective launched out of sheer passion for live music and all things music related.

Executive Editor and Photographer: Florelle Servageon

Contact: florelle@livesphere-magazine.com

Editor and Photographer: Eva Grant

Contact: eva@livesphere-magazine.com

Lead Writer & Photographer: Imogen Bird

Contact: imogen@livesphere-magazine.com

Writer (Platform ‘96): Vlad-Paul Ghilaș

Contact: platform96events@gmail.com

Contributors: Justyna Serafin (Writer and Photographer), Bia Vismara (Writer), Auré (Writer), Liv Kendall (Writer), Verity Eaden (Writer), Julia Jevzikova (Photographer), Charlie Wright (Photographer)

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